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2003. 10.1 Long March Symposium Self-criticism and Criticism – Dialogues between Artists and Curators in Beijing

在急速发展的表象下,策展人的工作和艺术原创的关系进入了一个新阶段,这些新发展给当代中国艺术带来了何样的影响?策展人们不仅在总结自己工作的得失,也希望与同行交流,虽然在一定程度有所沟通,但并没有形成公共对话的平台。尤其重要的是,参展或没有参展的艺术家是如何看待这一时期策展人的工作和这些展览,我们渴望通过这个讨论会,在策展人之间,在艺术家之间,在策展人和艺术家之间,对话交流,展开批评与自我批评。

2003. 09.18 - 2004. 04.18 The Power of the Public Realm (2003-2004)

Realized in six stages, “The Power of the Public Realm” was a curatorial project dedicated to artistic practices conventionally excluded from Chinese contemporary culture. In its curation, the exhibition attempted to transform this highly exclusive model of cultural production by highlighting a plethora of narratives informed by the artists’ distinctive and often self-taught techniques. By inviting the artists to travel from Yan’an and other rural regions to the exhibition space in Beijing, the exhibition opened up a discursive field between two distinct conditions of cultural production.

长征计划

LONG MARCH PROJECT