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2019. 11.02-1.08 Long March Project: The Deficit Faction

2nd Nov 2019 to 8th Jan 2020, Long March Space

Participating Artists: Yin-Ju Chen & Li-Chun Lin / Sheryl Cheung / Aracha Cholitgul / Fong Fo / Hotel Asia Project with Gen Sasaki & Keiichi Miyagawa / Ayoung Kim / Meiro Koizumi / Lee Kai-Chung / Yong Xiang Li / Liang Shuo / Long March Collective / Mao Chenyu / Planet Marx / Xiaoshi Qin / Alessandro Rolandi & Zhao Tianji (Social Sensibility R&D Department) / Miti Ruangkritya / Tao Hui / Yi Xin Tong / Wang Tuo / Xiyadie

2010. 10 Long March Project—Ho Chi Minh Trail (Supplement)

This volume is a supplemental companion to Long March Project—Ho Chi Minh Trail. It records the heated discussion that occurred during the walking of “Ho Chi Minh Trail” on June 26th, 2010, in Vientiane, Laos. Among the participants were artists, curators, and critics who were gathered and meditated upon the past three weeks of traveling.

2010. 10 Long March Project – Ho Chi Minh Trail

This catalogue serves to present a temporal and spatial record of “Long March Project – Ho Chi Minh Trail”. It documents this historical “rehearsal” by means of image, text, and posters, where image and text intermediaries intertwin with each other, which turns out not only a visual image archival record but also a textual discussion on visual culture.

2009. 05 Yang Shaobin: X-Blind Spot

X-Blind Spot is a publication that documents the second phase of a two-part project (2004-2008) exploring the condition of coal mining in Northern China by Chinese contemporary artist Yang Shaobin and the Long March Project.

2007. 10 Yan’an Forum on Art Education

This volume documents the three main parts of the discussion in the Yan’an Forum on Art Education, including “Situation and Understanding of Contemporary Chinese Art Education”, “What is Contemporary Art Education? Differences, Challenges, and Breakthroughs”, and “How to Implement Contemporary Art Education?” It is supplemented by written statements, scholars’ articles, and a syllabus for fine arts education.

The Great Survey of Paper-cutting in Yanchuan County

“Long March Project––The Great Survey of Paper-cutting in Yanchuan County” was at once an art project and an experiment in social engineering. By inviting contemporary artists and government officials in the arts and cultural departments to “go down to the countryside,” the project launched a county-wide survey of the popularity of the art of paper-cutting.

2003. Long March—A Walking Visual Display

“Long March—A Walking Visual Display” explored the efficacy of a practice founded on marching in generating ideas and conversations. It reflects the thinking and dialogue produced in walking and practice, and creatively reflects the established linguistic paradigm of contemporary art in China and abroad with the collective memory of international and local relations.